Sunday, 1 June 2008




Every cloud has a silver lining eh? Well, sometimes. This one did. But when part of your Hi Fi breaks down, it’s always the case.

I’d had the Marantz amplifier for a good three years or more, and not really thrashed it at all, music quality is more important than volume, though with pieces of kit like this, there’s a happy medium around 12 o’ clock on the volume dial itself.

Unfortunately around twelve months ago it started playing up, intermittently deciding it wasn’t going to power up, I’m sure it must have overheated in the summer of ’06 back at my parents but that’s by the by. It finally gave up the ghost last week and is now relegated to the pile of broken amplifiers that lie under my bed. I mean hey, I might meet someone who can repair these things on the cheap. Or at least for a fair price, something I won’t get at the local electrical repair shop staffed by young fellows who say innit a lot.

So after scouring the net for an amplifier that would take the 1v+ signal from my mixer, I came across the NAD C315BEE. Perfect.

Richer Sounds do a pretty cool price match scheme, so off I went to Stockport with a printout of the amp at another online retailer for £30 less. The manager did not want to match it, whether out of a dislike for the company selling it cheaper or maybe I didn’t look the stereotypical sort of clean cut respectable customer who would be spending such a large around of money on Hi Fi equipment, but he did, begrudgingly.

Amp sorted it was time to look around for some speaker stands, as everyone knows bookshelf speakers don’t sound right until they’re off the shelf and on some stands. I picked up some 9-cm high Gale ones for £50. I know they’re not exactly high end but once they’re filled with gravel or lead shot for weight, they’ll sing, or more accurately they’ll be pretty much inert, and help the Hi Fi system to sing.

And after a while cleaning contacts, fitting dum-dums, mounting and toe-ing, it really does. All my old CD’s sound like brand new albums, I can hear bits that id never heard before, notice little things like the sharp intake of breath before each line when Ben Gibbard sings, it brings more depth to the way Francis Mark and Ben Perri’s vocals intertwine.

Yes, today I am going to be listening to a lot of music, and it’s going to sound a whole lot better.

Thursday, 22 May 2008

you're a few years overdue, I spent them waiting here for you...

One of my favourite bands of all time were The Get Up Kids but they split up a few years back and continued with their numerous side projects or other bands, these bands were also good but for me they never captured the same energy and emotion as TGUK. They lacked something that was only ever there before, although they never seemed to be chasing after what they had back, just changing, growing but I suspect all that may change with ex-frontman and songwriter for The Get Up Kids, Matt Pryor and his new album Confidence Man.


The first track to be heard off it, Loralai, has recently been uploaded to his Myspace page as a taster for the album and it has got me very excited. It's not The Get Up Kids but then again I don't want it to be.

Loralai is a short acoustic ballad in which Pryor battles with a love that for some reason has gone astray. It's never wet, nor is it never blaming or laying guilt. More just stating the facts, almost a stream of consciousness which plays out over a simple melody.

I can't get enough of it and have high hopes for the album, its out on 29th July.

You can listen to Loralai at www.myspace.com/mattpryorsongs

Monday, 12 May 2008

The Robot Soap Factory: Two New Tracks


I feel this is quite a big milestone for me, for about 3 or 4 years now i have been working towards this point, i started out DJ'ing when I was 17 with a different plan to most other bedroom DJs, my plan was that being a big DJ would never be my main goal, it would only be a stepping stone to the next level... production.
I have studied music production at various different levels and analysed music inside and out, however, when it came to making my own i was confronted by quite a large problem... what is my style?
I'd never thought of it before, when i DJ i play whatever the hell i want, house, electro, techno, minimal, 80's, 90's etc. But when it comes to production everyone has their own unique sound. I had no idea where to start.

So i came up with a plan, and quite a good one i think. A concept album... sort of. I would make four tracks of different styles which i enjoyed the most, and from that i could work out where i wanted to go.

My first would be the distorted electro style, a sort of 'Ed Banger/Boys Noize' inspired sound, Justice, SebastiAn etc. But with a bit more of a beat.

My second would be the classic old school house style, fused with the similar Institubes style such as Surkin and Bobmo.

My third would be a minimal style inspired by various artists such as Gui Boratto, Andre Crom, Oliver Huntemann and Booka Shade.

And my fourth, well i'm still not 100% certain, but i'm thinking a style based on Daft Punk's Discovery album mixed with the old Italo Disco style.

So far i have made two of the four tracks, and here they are:

Correct Effect - Smoke and Lasers (Classic House)

Correct Effect - Effective (Distorted Electro)

These tracks are also on my new myspace page: www.myspace.com/correcteffect

My third is in the pipeline as we speak... I'll keep everyone updated.


Sunday, 27 April 2008

Thank you for the memories


After nearly two years, a stupid amount of parties and some of the best nights of my life Robot Soap is now officially over.

Thank you all for being part of something that became bigger than I ever thought it could be when we did our first night at Fuel, Special mentions should go to Sarah P, Andrea C, Sally, Chris E, Tall Sarah, MrB, Mat Payne, Bob Swans, Aaron(Dance FASTER!), Phil Wood, Jemma-Lee, Tom P and Ruth for being with us all along.

The blog will carry on running at http://robotsoap.blogspot.com and Robotic Noise, Cognitive Records and The Cognitive Club-night are still to come so stay tuned and look out for us DJing in the future.

Pictures from the last night will follow shortly

Robot Soap - The things that dreams were made of...

Thursday, 24 April 2008

Robotic Radio


This has all been a bit last minute but I'll be on the radio tonight playing new and old favourites of mine, from across the board.

Tune in!

Sunday, 20 April 2008

Robot Soap Memories...

(Me DJing @ Robot Soap) Photo by Katie Wynne

So there's now officially less than a week until the last ever Robot Soap and I'm feeling nostalgic today, it's probably a combination of it being a Sunday, the Manchester Rain, feeling slightly hungover and having too much time to myself at work thats doing it but I've been thinking a lot about what we've achieved in the last couple of years so I thought I'd compile a list of a few of my favourite Robot Soap related memories, they're not in any particular order of importance...

1) 'The Dirty Social Club' - We hosted the live music room at a night called Filth, a 6 room super-rave witha total capacity of about 3000. The line up for our room was Hiem (Crosstown Rebels) Far From The Dance, The Dirty SOUL club and Ruthless Producer. Unfortunately I messed up the line up in an email with the main promoters so The Dirty Soul Club became The Dirty Social Club on about 20,000 flyers and 100's of posters all around town, thankfully the band saw the funny side of it! (I'm still sorry about it though!)

2)The D-Percussion after party with Back To Front, 700 people packed into our room dancing to Elliot and my DJ-ing and the place going absolutely nuts all night long without the need for guests. It was an amazing night and as I wound down to what I thought was the last tune of the night (I had nothing else cued up!) Elliot shouts 'Who wants one fucking more tune!?' to a room which was at this stage nothing short of a riot. The reply was rapturous 'Yes!'. I quickly picked a record - The Pet Shop Boys 'Flamboyant' (Micheal Mayer Remix) it was a bit of a change in tempo and you could feel the tension in the crowd as everyone was waiting for the beat to drop, the entire room seemed to go very quiet except for the music and then as the beat came in the room when absolutely insane with a mass pogoing mess of a crowd all together in unison. Beautiful.

3)Playing Tribal Sessions, There's an entire blog entry about this previously about how much this meant to me but playing at it as part of Robot Soap was fantastic.

4)I don't know if this should be a bad or a good memory but its funny either way, Porl and I used to have a residency as Robot Soap DJs at an indie night called Mooch - every Thursday night we'd play with Manc heroes like Bez, Mani and Tim Burgess. On one particular night, mid-set, myself and a friend were thrown out of the club for being a bit naughty, leaving Porl to finish up the evening

5)The first ever Robot Soap we held was at a club/bar called Fuel, a tiny little place with a dodgy set up in the DJ booth. Marco Giannini (The Warehouse Project) was on the decks and the room was starting to go off, only every time people started properly going for it the record's needle skipped, we couldn't find a way to make it stop but a great night was had by all regardless, by the end of the night it seemed to be adding to procedings quiet nicely! On the same night I was so nervous about people turning up that during my warm up set I took the wrong needle off the record twice!

6)We did a charity Robot Soap at Preston's 53 Degree's club and booked local heroes Gash DJs (Pete Carvell and Jim Da Mentalist) at the end of the night I was completely exhausted but Pete was adament I was coming back to his after party, to the point where he picked me up and put me over his shoulder and tried to bundle me off - kidnapping style - in a taxi. He didn't win in the end, but it was a valiant effort!

7)I DJ'ed with Mr Oizo for All Day Breakfast and after my set Mr Oizo was up, as I started to leave the DJ booth he shouted 'where do you think you're going? lets party!' and thrust a bottle of Champagne in my hands which we drunk (from the bottle!) together throughout his set.

Errors

Earlier this week I went to see 65Days Of Static with friends. 65DOS were on top form as per usual but we've covered them before on here so in this entry i'm going to focus on Errors, the main support for 65DOS.

Glasgow's Errors, signed to the Mogwai owned label Rock Action are one of those bands I'd heard little bits of before this gig, I think i'd also seen one of their video's on MTV 2's '120 Minutes' program and although I thought those bits and pieces were good, they had never really grabbed my attentsion long enough for a proper listen. Tonight however, I had 30 minutes to get properly acquainted with the band.

Watching a very nervous looking band enter the stage for the first time I could almost feel a let down coming on, and they got off to a shakey start of fuzzy electronic noises mixed with what can only be described as half-arsed psuedo-post rock noodling's, I was almost ready to retire to the bar three minutes into their set.

However, i'm glad I stuck with it because however shakey the opening track was the rest of the set did not disapoint whatsoever. If I had to compare them to other bands I would say Errors are like a combination of The Field (check out From Here We Go Sublime, on Kompakt Records) with their warm and emotive electronica mixed with equal parts of Mogwai-esque post rock and The Faint's electroclash noise. One thing I do have a gripe about though is that Errors tracks just don't seem long enough; just as I was starting to find my groove with some of the tracks played later in their set they finished. It was a real shame.

You should have a listen to them at http://weareerrors.com

Monday, 14 April 2008

a couple of top 10's and a little rant about a bad record


Its been a silly amount of time since I've written in here. The reason's being a stupid amount of uni work to do, my job, DJing and going to gigs has left me without anytime to write but enough of the excuses, here's what i've been listening to recently...


Top 10 Long Players
Godspeed You! Black Emperor - Yanqui U.X.O.
Thrice - The Alchemy Index Volumes 3 & 4 (Air & Earth)
Built To Spill - You In Reverse
Low - Trust
Mastodon - Blood Mountain
William Elliot Whitmore - Songs For The Hopeless
Boris - Pink
Sally Shapiro - Disco Romance
Annuals - Be He Me
Portman - From Here To Your Eyes and Ears

Top 10 Singles
Soulwax - You Can't Always Get What You Want (Rolling Stones Cover)
The Juan Maclean - Happy House
Paul Woolford - Knives
The Teenagers - Love No (Tepr Remix)
M83 - Couleurs (Jori Hulkkonen Remix)
Gonzales - Working Together (Boyz Noize Dub)
Crystal Castles/HeartsRevolution - Split 7 Inch
Chaz Jankel - Get Yourself Together (Hercules & Love Affair House Mix)
Rodion - Atala Ride
Mille Caro & Franck Garcia - Dead Souls (Radioslave Long Distance Kiss Remix)

I'm sure you can find links to most of this stuff on hypem if you want to have a preview listen but seriously go out and buy the records and support whatever scene you're into...

Oh and i'm already sick to death of SebastiAn's 'Motor' its absolute tripe! I don't quite know why its been hyped up so much but it really needs to just do one!

Tuesday, 8 April 2008

What took you so long..?




Its been a long time coming, but was it worth the wait?

Today The Courteeners released their debut album, St Jude, and to be honest, I’ve not been this excited for the release of an album in a long time. We’ve seen Liam come from an acoustic troubadour playing dingy venues around Manchester to selling out venues like the Academy and the Ritz and it makes you fucking proud. Manchester hasn’t had a band that crosses the boundaries into pop with such balls out attitude, touching sensitivity and the ability to craft the kind of hooks that other bands would kill for in a long time. Memories of 1994 and definitely maybe swim to the surface of this particular wreckhead’s couldy head….

But misty eyed reminiscences aside, is St Jude any good? The answer to that is yes, and a little no. Its not perfect, but nothing ever is, it has its flaws, some of the new recordings aren’t quite what was expected, the beach boys-esque backing vocals in Bide your time for instance. Having yelled along to the chorus for so long, its going to take a bit of getting used to, and to be honest Stephen Street has over produced some tracks, theyre slightly too polished but these are niggles rather than major downfalls and are greatly outweighed by hearing tracks like the rogueish How Long and the tear jerking Please Don’t finally laid down on record.

Music aside, its frays lyrics that capture a lot of people, the nearest comparison being Alex Turner, but older & wiser with a few more broken hearts on his sleeve. From delicate acoustic tracks, to balls out monsters like the live favourite Fallowfield Hillbilly, the words are there.

It’s a proud moment when you know the whole country (and the world going off the Japanese import "Here Come the Young Men") are going to be lapping up tales of Picadilly Records & wrecked up nights down the Late Room (before it fucking closed), the appeal in this album goes way beyond the filthy streets of Manchester, its international and intercontinental….

Its difficult to separate the Manc from the reviewer, but in all honesty, this is a great pop album, whether you’re new to the band or have been following them for a while, its well worth buying. Even more worth buying is the limited double CD, with some unreleased early versions of tracks like Acrylic and Cavorting alongside some acoustic tracks like the stunning acoustic version of Bide Your Time for an extra few quid.

Monday, 31 March 2008

The end...


The last ever Robot Soap
26.04.08 @ Cord
9pm til Late + Afterparty
FREE ENTRY

Robot Soap has been running for just short of 2 years now, we've had some amazing times and some amazing guests along the way. We've made some of our best friends because of Robot Soap but the time has come to call it a day and April's Robot Soap is that time.

Helping us celebrate and commiserate in equal measures are Mat Payne and Bob Swans, who together are doing an exclusive laptop battle with all kinds of midi-keyboards and samplers etc and We can't wait. In preparation they both did Robot Soap a mix which can be downloaded for FREE at our blog - http://robotsoap.blogspot.com

This won't be the last you hear from us though...

Gareth and Porl are in the process of setting up a label, Cognitive Records, as well as running Robotic Noise - the live music side of Robot Soap. Our first release will be out in the next couple of months, alongside it will be a compilation of new talent from all genres and showcasing what Cognitive Records is all about. So keep your eyes peeled for those little beauties!

Elliot and Rob will be DJing at some of Manchester's best parties too

I'd just like to personally thank anyone who has ever been to Robot Soap and supported what we've done. We've achieved more than we ever hoped to with it.

Also a huge thanks goes out to:
Radioclit
Mary Ann-Hobbes
Casper C (Fluokids)
Hiem (Crosstown Rebels)
Speculum
Digital Filth
Far From The Dance
Pete Carvell (Disco Slut)
Marco Gianinni (The Warehouse Project)
Dirty Soul Club
Bought In Error (Marcus Connell + Smiffy)
Emma (Chibuku)
Greg Lord (Tribal Sessions)
Hooked DJs
Access DJs
We Are Nice People DJs
and anyone else we've missed for coming down to play at Robot Soap

For one last night - We Are Not Playing Games!