Sunday, 27 April 2008

Thank you for the memories


After nearly two years, a stupid amount of parties and some of the best nights of my life Robot Soap is now officially over.

Thank you all for being part of something that became bigger than I ever thought it could be when we did our first night at Fuel, Special mentions should go to Sarah P, Andrea C, Sally, Chris E, Tall Sarah, MrB, Mat Payne, Bob Swans, Aaron(Dance FASTER!), Phil Wood, Jemma-Lee, Tom P and Ruth for being with us all along.

The blog will carry on running at http://robotsoap.blogspot.com and Robotic Noise, Cognitive Records and The Cognitive Club-night are still to come so stay tuned and look out for us DJing in the future.

Pictures from the last night will follow shortly

Robot Soap - The things that dreams were made of...

Thursday, 24 April 2008

Robotic Radio


This has all been a bit last minute but I'll be on the radio tonight playing new and old favourites of mine, from across the board.

Tune in!

Sunday, 20 April 2008

Robot Soap Memories...

(Me DJing @ Robot Soap) Photo by Katie Wynne

So there's now officially less than a week until the last ever Robot Soap and I'm feeling nostalgic today, it's probably a combination of it being a Sunday, the Manchester Rain, feeling slightly hungover and having too much time to myself at work thats doing it but I've been thinking a lot about what we've achieved in the last couple of years so I thought I'd compile a list of a few of my favourite Robot Soap related memories, they're not in any particular order of importance...

1) 'The Dirty Social Club' - We hosted the live music room at a night called Filth, a 6 room super-rave witha total capacity of about 3000. The line up for our room was Hiem (Crosstown Rebels) Far From The Dance, The Dirty SOUL club and Ruthless Producer. Unfortunately I messed up the line up in an email with the main promoters so The Dirty Soul Club became The Dirty Social Club on about 20,000 flyers and 100's of posters all around town, thankfully the band saw the funny side of it! (I'm still sorry about it though!)

2)The D-Percussion after party with Back To Front, 700 people packed into our room dancing to Elliot and my DJ-ing and the place going absolutely nuts all night long without the need for guests. It was an amazing night and as I wound down to what I thought was the last tune of the night (I had nothing else cued up!) Elliot shouts 'Who wants one fucking more tune!?' to a room which was at this stage nothing short of a riot. The reply was rapturous 'Yes!'. I quickly picked a record - The Pet Shop Boys 'Flamboyant' (Micheal Mayer Remix) it was a bit of a change in tempo and you could feel the tension in the crowd as everyone was waiting for the beat to drop, the entire room seemed to go very quiet except for the music and then as the beat came in the room when absolutely insane with a mass pogoing mess of a crowd all together in unison. Beautiful.

3)Playing Tribal Sessions, There's an entire blog entry about this previously about how much this meant to me but playing at it as part of Robot Soap was fantastic.

4)I don't know if this should be a bad or a good memory but its funny either way, Porl and I used to have a residency as Robot Soap DJs at an indie night called Mooch - every Thursday night we'd play with Manc heroes like Bez, Mani and Tim Burgess. On one particular night, mid-set, myself and a friend were thrown out of the club for being a bit naughty, leaving Porl to finish up the evening

5)The first ever Robot Soap we held was at a club/bar called Fuel, a tiny little place with a dodgy set up in the DJ booth. Marco Giannini (The Warehouse Project) was on the decks and the room was starting to go off, only every time people started properly going for it the record's needle skipped, we couldn't find a way to make it stop but a great night was had by all regardless, by the end of the night it seemed to be adding to procedings quiet nicely! On the same night I was so nervous about people turning up that during my warm up set I took the wrong needle off the record twice!

6)We did a charity Robot Soap at Preston's 53 Degree's club and booked local heroes Gash DJs (Pete Carvell and Jim Da Mentalist) at the end of the night I was completely exhausted but Pete was adament I was coming back to his after party, to the point where he picked me up and put me over his shoulder and tried to bundle me off - kidnapping style - in a taxi. He didn't win in the end, but it was a valiant effort!

7)I DJ'ed with Mr Oizo for All Day Breakfast and after my set Mr Oizo was up, as I started to leave the DJ booth he shouted 'where do you think you're going? lets party!' and thrust a bottle of Champagne in my hands which we drunk (from the bottle!) together throughout his set.

Errors

Earlier this week I went to see 65Days Of Static with friends. 65DOS were on top form as per usual but we've covered them before on here so in this entry i'm going to focus on Errors, the main support for 65DOS.

Glasgow's Errors, signed to the Mogwai owned label Rock Action are one of those bands I'd heard little bits of before this gig, I think i'd also seen one of their video's on MTV 2's '120 Minutes' program and although I thought those bits and pieces were good, they had never really grabbed my attentsion long enough for a proper listen. Tonight however, I had 30 minutes to get properly acquainted with the band.

Watching a very nervous looking band enter the stage for the first time I could almost feel a let down coming on, and they got off to a shakey start of fuzzy electronic noises mixed with what can only be described as half-arsed psuedo-post rock noodling's, I was almost ready to retire to the bar three minutes into their set.

However, i'm glad I stuck with it because however shakey the opening track was the rest of the set did not disapoint whatsoever. If I had to compare them to other bands I would say Errors are like a combination of The Field (check out From Here We Go Sublime, on Kompakt Records) with their warm and emotive electronica mixed with equal parts of Mogwai-esque post rock and The Faint's electroclash noise. One thing I do have a gripe about though is that Errors tracks just don't seem long enough; just as I was starting to find my groove with some of the tracks played later in their set they finished. It was a real shame.

You should have a listen to them at http://weareerrors.com

Monday, 14 April 2008

a couple of top 10's and a little rant about a bad record


Its been a silly amount of time since I've written in here. The reason's being a stupid amount of uni work to do, my job, DJing and going to gigs has left me without anytime to write but enough of the excuses, here's what i've been listening to recently...


Top 10 Long Players
Godspeed You! Black Emperor - Yanqui U.X.O.
Thrice - The Alchemy Index Volumes 3 & 4 (Air & Earth)
Built To Spill - You In Reverse
Low - Trust
Mastodon - Blood Mountain
William Elliot Whitmore - Songs For The Hopeless
Boris - Pink
Sally Shapiro - Disco Romance
Annuals - Be He Me
Portman - From Here To Your Eyes and Ears

Top 10 Singles
Soulwax - You Can't Always Get What You Want (Rolling Stones Cover)
The Juan Maclean - Happy House
Paul Woolford - Knives
The Teenagers - Love No (Tepr Remix)
M83 - Couleurs (Jori Hulkkonen Remix)
Gonzales - Working Together (Boyz Noize Dub)
Crystal Castles/HeartsRevolution - Split 7 Inch
Chaz Jankel - Get Yourself Together (Hercules & Love Affair House Mix)
Rodion - Atala Ride
Mille Caro & Franck Garcia - Dead Souls (Radioslave Long Distance Kiss Remix)

I'm sure you can find links to most of this stuff on hypem if you want to have a preview listen but seriously go out and buy the records and support whatever scene you're into...

Oh and i'm already sick to death of SebastiAn's 'Motor' its absolute tripe! I don't quite know why its been hyped up so much but it really needs to just do one!

Tuesday, 8 April 2008

What took you so long..?




Its been a long time coming, but was it worth the wait?

Today The Courteeners released their debut album, St Jude, and to be honest, I’ve not been this excited for the release of an album in a long time. We’ve seen Liam come from an acoustic troubadour playing dingy venues around Manchester to selling out venues like the Academy and the Ritz and it makes you fucking proud. Manchester hasn’t had a band that crosses the boundaries into pop with such balls out attitude, touching sensitivity and the ability to craft the kind of hooks that other bands would kill for in a long time. Memories of 1994 and definitely maybe swim to the surface of this particular wreckhead’s couldy head….

But misty eyed reminiscences aside, is St Jude any good? The answer to that is yes, and a little no. Its not perfect, but nothing ever is, it has its flaws, some of the new recordings aren’t quite what was expected, the beach boys-esque backing vocals in Bide your time for instance. Having yelled along to the chorus for so long, its going to take a bit of getting used to, and to be honest Stephen Street has over produced some tracks, theyre slightly too polished but these are niggles rather than major downfalls and are greatly outweighed by hearing tracks like the rogueish How Long and the tear jerking Please Don’t finally laid down on record.

Music aside, its frays lyrics that capture a lot of people, the nearest comparison being Alex Turner, but older & wiser with a few more broken hearts on his sleeve. From delicate acoustic tracks, to balls out monsters like the live favourite Fallowfield Hillbilly, the words are there.

It’s a proud moment when you know the whole country (and the world going off the Japanese import "Here Come the Young Men") are going to be lapping up tales of Picadilly Records & wrecked up nights down the Late Room (before it fucking closed), the appeal in this album goes way beyond the filthy streets of Manchester, its international and intercontinental….

Its difficult to separate the Manc from the reviewer, but in all honesty, this is a great pop album, whether you’re new to the band or have been following them for a while, its well worth buying. Even more worth buying is the limited double CD, with some unreleased early versions of tracks like Acrylic and Cavorting alongside some acoustic tracks like the stunning acoustic version of Bide Your Time for an extra few quid.